雨课堂学堂在线学堂云《Chinese Painting：The History and Comparison of Chinese Figure Painting（中国画学·中国人物画的春秋与写照）（中国美术学院）》单元测试考核答案

第1题中国绘画已经有将近两千年的历史Chinesepaintinghasahistoryofnearlytwothousandyears第2题中国画绘画的“绘”自意思是“meeting”Theword"绘"inChinesepaintingmeans"meeting"第3题笔墨在中国绘画中含义很广并且极其重要PenandinkhaveawidemeaninginChinesepaintingandareextremelyimportant第4题墨代表的是西方绘画中的明暗InkrepresentslightandshadeinWesternpainting第1题吴道子为唐代画家，被称为画圣WuDaozilivedinTangdynastyandwasacclaimedasPainterSaint.

第2题宋代李公麟从白画的画稿中发展出素淡的白描LiGonglinofSongdevelopedthesimpleandunderstatedplaindrawingfromthesketchesofwhitepaintings.

第3题铁线描线条纤细、循环往复、绵延不息，代表作北齐杨子华《北齐校书图》、唐阎立本《历代帝王图》《步辇图》

Theironwirelineisslender,andmovesinacircularandcontinuousmanner,representedbyNorthernQiScholarsCollatingClassicTextsbyYangZihuaofNorthernQi,ThirteenEmperorsScrollandEmperorTaizonginaSedanChairGreetingThreeEnvoysfromTibetbyYanLibenofTang.

第4题战笔描代表作有周文矩《重屏会棋图》、梁楷《八高僧图卷》ThetremulouslineisrepresentedbyPlayingChessbyDoubleScreensbyZhouWenjuandIllustrationstoEventsintheLivesofEightFamousMonksbyLiangKai.第5题吴道子的用笔不同于当时世俗流行的画风WuDaozi'sbrushworkdidnotfollowthenormofhisday.

第6题高古游丝描又称春蚕吐丝rchaicgossamerlineisalsoknownassilkwormspinningthreads.

第7题唐阎立本《历代帝王图》《步辇图》采用行云流水描YanLibenofTangusedthescudding-cloud-and-running-waterlineinThirteenEmperorsScrollandEmperorTaizonginaSedanChairGreetingThreeEnvoysfromTibet.

第8题不同的描法适用于表达不同衣服的质感、不同人物性格身份

Differentdrawingtechniquesservetorepresentdifferenttexturesofclothingandpersonalitiesofthefigures.第9题现传《道子墨宝》为唐代吴道子原作，本是佛教壁画的画稿TheextantInkTreasureofWuDaoziwasanoriginalworkbyWuDaoziofTang,andacollectionofsketchesforBuddhistmurals.

第10题吴道子从观看公孙大娘舞剑获得线条表现的灵感WuDaozidrewhisinspirationoflinedrawingfromLadyGongsun'ssworddances.第11题李公麟《五马图》的描法以琴弦描为主

TheprincipaltechniqueusedinLiGonglin'sFiveTributeHorsesiszitherstringline.

第12题高古游丝描特点线条纤细、循环往复、绵延不息Thearchaicgossamerlineisslender,circularandcontinuous.

第三章测试Chapter3test第1题蚂蝗描由兰叶描而来Theleechlineevolvedfromtheorchidleafline.

第2题古人画罗汉或古僧多用枣核描Mostancientpaintingsofluohansandmonksweredrawninthejujubepitline.

第3题梁楷是民间画师LiangKaimainlypaintedforthecommonpeople.

第4题粗笔描有折芦描、混描、兰叶描、枣核描、竹叶描等

foldedrushleafline,mixedandlayeredline,orchidleafline,jujubepitlineandbambooleafline,etc.

第5题真正让指墨画绽放光彩是清代高其佩

FingerpaintingreallyflourishedinthehandsofGaoQipeioftheQingdynasty.

第6题梁楷《六祖撕经图》采用折芦描

LiangKai'sTheSixthPatriarchTearingupaSutraemploysthefoldedrushleafline.

第7题潘天寿也作指墨画PanTianshoualsopracticedfingerpainting.

第8题羊毫前段半透明的毛被称为“引”Thetranslucentpartattheendofsheep’shairiscalled"lead".

第9题秃笔撅头描多出现于山水，代表作有马远《人物山水册页》Splitbrushlineismostcommoninlandscapepaintings,representedbyMaYuan'sAlbumofFigureandLandscapePaintings.

第10题马和之《唐风图》《月色秋色》采用蚂蝗描

MaHezhiadoptedleechlineinOdesofTangandBrightMoonamidSoundsofAutumn.

第11题梁楷早期作品《八高僧图卷》《释迦出山图》《泼墨仙人图》LiangKai'searlyworksincludeIllustrationstoEventsintheLivesofEightFamousMonks,SakyamuniLeavingHisMountainRetreatandImmortalinSplashedInk.

第12题梁楷被后人称为禅宗画家

LiangKaiisconsideredasaChanpainterbylatergenerations.

第四章测试Chapter4test第1题整画首尾相连，同一人物反复出现谓之“移步换景”Ifascrollisend-to-endandacharacterappearsmanytimes,thispaintingtechniqueiscalled“changingsceneswithinsteps.”

第2题李嵩的画作多用接近于白描的手法进行表现LinedrawingisadoptedinmostofLiSong’spaintings.

第3题风俗画始于汉盛于唐TheChinesegenrepaintingstartedintheHandynastyandblossomedintheTangdynasty.

第4题写实主义的作品中有相当多的一部分作品用来描绘宫廷生活Agreatnumberofrealismpaintingsareaboutcourtlife.第5题两宋时期是我国人物画发展的全盛时期TheChinesefigurepaintingfloweredduringtheNorthernSongandSouthernSongdynasties第6题李嵩的货郎图采用工笔重彩的方式进行表现MeticulousstyleandenrichedcolorsareusedinLiSong’sPedder.

第7题风俗画是李嵩最擅长的一类作品

LiSongwasbestatgenrepainting.

第8题《清明上河图》《骷髅幻戏图》是李嵩的作品SkeletonFantasyShowandAlongtheRiverduringtheQingmingFestivalareLiSong’sworks.╳第9题除了《骷髅幻戏图》很少有中国画作品会如此写实地描绘骷髅形象

ExceptSkeletonFantasyShow,Chineserealisticpaintingsarerarelyaboutskeletons.

第10题宋代风俗画作品多用工笔重彩的方式进行描绘MeticulousstyleandenrichedcolorswereusedinmostgenrepaintingsduringtheSongdynasty.

第11题《骷髅幻戏图》采用宋画较为典型的半边式构图

Half-sidecomposition,atypicalpaintingmethodduringtheSongdynasty,isadoptedinSkeletonFantasyShow.第12题《韩熙载夜宴图》采用工笔淡彩进行表现

MeticulousstyleandlightcolorareappliedinNightRevelsofHanXizai.

第五章测试Chapter5test第1题中国画设色的依据为光影下物象所显现的色彩ThecoloringofChinesepaintingisconsistentwiththetruecolorofobjects.

第2题敦煌壁画多用赭石土红类颜色起稿，与西方绘画起稿方式相类似ThemuralsofDunhuangGrottoesaredraftedinochreorsoil-red,similartothedraftofwesternpaintings.

第3题敦煌壁画的艺术形象依靠模仿对象来达到逼真的效果ThevividnessofartisticimagesinthemuralsofDunhuangGrottoesisrealizedthroughimitation.

第4题传统中国画用色不以丰富多彩见长TraditionalChinesepaintingdoesnotexcelinrichcolors.

第5题传统中国画用色多根据画家自身的内心情感与艺术格调气息ThecoloringoftraditionalChinesepaintingdependsonthepainter’smentalityandartisticstyle.

第6题中国传统高染法在西魏时期进入画家们的视野

TraditionalhighcoloringcameintotheviewofpaintersintheWesternWeidynasty.

第7题敦煌壁画表现空间是以一个瞬间的单一视点为依据ThespaceofmuralsofDunhuangGrottoesisdisplayedfromasingleperspectiveataninstant.

第8题敦煌壁画中用笔只体现在线条的勾勒描绘Themovementofbrushtiponlyplaysanimportantroleinsketchingmurals.

第9题高染法主要晕染物象形体的高处或凸起处

Highcoloringisusedinshadingbulgeandhighpartsofobjects.

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