高中英语unit1 reading课件人教版选修6.ppt

unit1art 抽象的信念 信任典型的目标明显的拥有 支配技术 方法巧合 相合影子 abstractfaithtypicalaimevidentpossesstechniquecoincidenceshadow 预言 预告努力 尝试雕塑荒谬的收养 采纳卓越的 杰出的有争论的常规的 传统的 predictattemptsculptureridiculousadoptsuperbcontroversialconventional theformsofart painting music dance sculpture literature architecture photography pottery 陶器 jewelry monalisasmile leonardodavinci italian 1452 1519 sunflowers vincentvangogh starrynight dutch 1853 1890 claudemonet waterlilies french 1840 1926 pablopicasso woman spanish 1881 1973 characteristic ashorthistoryofwesternpainting 5thcad 15th 16th 19th 20th themiddleages therenaissance impressionism modernart historyperiod paintingtheme 5thcad 15th 16th 19th 20th themiddleages therenaissance impressionism modernart religiousthemes historyperiod paintingtheme 圣母子 themiddleages 5thcad 15th 16th 19th 20th themiddleages therenaissance impressionism modernart peopleandnature houses possessionsaswellasactivitiesandachievements historyperiod paintingtheme religiousthemes therenaissance 5thcad 15th 16th 19th 20th themiddleages therenaissance impressionism modernart religiousthemes peopleandnature houses possessionsaswellasactivitiesandachievements outdoors lightandshadow historyperiod paintingtheme 蓬图瓦兹 埃尔米塔日的坡地 卡米耶 毕沙罗 impressionism 5thcad 15th 16th 19th 20th themiddleages therenaissance impressionism modernart religiousthemes peopleandnature houses possessionsaswellasactivitiesandachievements certainqualitiesoftheobject historyperiod paintingtheme outdoors lightandshadow modernart 5thcad 15th 16th 19th 20th themiddleages therenaissance impressionism modernart religiousthemes peopleandnature houses possessionsaswellasactivitiesandachievements outdoors lightandshadow paintingstyle 风格 historyperiod paintingtheme certainqualitiesoftheobject whilelistening underlinethephrasesusedtodescribeeachpaintingstyle thestyleofthemiddleages fullof createafeelingof forgodinamore style religioussymbols realistic respectandlove adoptamore tolife romanandgreekideasdrawthings colorslook thestyleoftherenaissance humanisticattitude classical inperspective richeranddeeper breakawayfromthe stylebeeagertoshowhow fellonobjectsnotas astheearlierones thestyleofimpressionism traditional lightandshadow detailed abstract thatis thepainterdoesnot paintobjectsaswesee certainqualitiesoftheobjectusecolor lineand sorealisticthattheylooklike thestyleofmodernart attemptto concentrateon shape photographs middleages paintingofimpressionism worksofmodernart paintingofrenaissance worksofimpressionism worksofmodernart paintingofmiddleages 静物 vangogh workofimpressionism 开花的栗树 vincentwillemvangogh worksofimpressionism 梦 dream picasso workofmodernart 1 whichofthefollowingstatementsistrue a paintingsinmiddleageswereveryrealistic b westernarthaschangedalotsincethe5thcentury c impressionistpaintingswerepaintedmainlyindoors d modernartbeganintherenaissance scanning 2 atfirstmostpeoplehatedtheimpressionists styleofpainting because theirpaintingwereveryabstract theirpaintingwereveryrealistic theybrokeawayfromthetraditionalstyleofpainting d theirpaintingswereveryridiculous 3 intherenaissance painters paintedreligiousscenesinamorerealisticstyle b focusedmoreonreligionthanonhumans c begantopaintoutdoors d returnedtoclassicalromanandgreekideasaboutart 4 discoveredhowtomakepaintingslookmorerealbyusingperspective giottodibondone masaccio claudemonet d pablopicasso 5 accordingtothetext artisinfluencedlesslikelyby a socialchangesb thewayoflifec agricultured beliefsofpeople6 whendidpeoplefocusmoreonpeopleandlessonreligion from5thto15thcenturyad from15thto16thcentury c fromlate19thtoearly20thcentury d from20thcenturytotoday 8 whatdoesthetextmainlytellus howreligiouspaintingdeveloped howoilpaintingdeveloped howimpressionistpaintingdeveloped d howwesternartdeveloped stylesinwesternarthavechanged artis bythe and duringthemiddleages themain ofpainterswasto themes artistswere creating and forgod manytimes influenced customs faithofapeople aim representreligious interestedin respect love intherenaissance peoplebeganto moreon andlesson artiststriedtopaint and theyreally masaccioused inhispaintingswhichmadepeople theywere aholeinthewall arealscene concentrate humans religion people nature as were perspective convinced lookingthrough at inthelate19thcentury europechanged fromamostly societytoamostly one the werethefirsttopaint theyhadtopaint andtheirpaintingswerenot ofearlie