中西文化差异(英文)

CULTURALDIFFERENCESBETWEENCHINAANDITALYTALYSPUBLICEDUCATIONISFREEANDCOMPULSORYFROM614YEARSOFAGEITHASAFIVEYEARPRIMARYSTAGEANDANEIGHTYEARSECONDARYSTAGE,DIVIDEDINTOFIRSTGRADESECONDARYSCHOOLMIDDLESCHOOLANDSECONDGRADESECONDARYSCHOOLORHIGHSCHOOLITALYHASBOTHPUBLICANDPRIVATEEDUCATIONSYSTEMSPRIMARYSCHOOLLASTSFIVEYEARSUNTILMIDDLESCHOOL,THENORMALEDUCATIONALCURRICULUMISUNIFORMFORALLALTHOUGHONECANATTENDAPRIVATEORSTATEFUNDEDSCHOOL,THESUBJECTSSTUDIEDARETHESAME,EXCEPTINSPECIALSCHOOLSFORPUPILSWITHDIFFERENTCAREREQUIREMENTSSECONDARYEDUCATIONSCUOLEMEDIEISFURTHERDIVIDEDINTWOSTAGESMEDIEINFERIORI,WHICHCORRESPONDTOTHEMIDDLESCHOOLGRADES,ANDMEDIESUPERIORI,WHICHCORRESPONDTOTHEHIGHSCHOOLLEVELTHELOWERTIEROFSCUOLEMEDIECORRESPONDSTOMIDDLESCHOOL,LASTSTHREEYEARS,ANDINVOLVESANEXAMATTHEENDOFTHETHIRDYEARSCUOLESUPERIORIUSUALLYLASTFIVEYEARSEVENTHOUGHISTITUTIPROFESSIONALIMIGHTOFFERADIPLOMAAFTERONLYTHREEYEARSEVERYTIERINVOLVESANEXAMATTHEENDOFTHEFINALYEARREQUIREDTOACCESSTHEFOLLOWINGTIEREDUCATIONWWWCOMPANYNAMECOM2016PPT001POWERPOINTMULTIPURPOSETHEMEALLRIGHTSRESERVED3列奥纳多迪皮耶罗达芬奇（意大利文原名LEONARDODISERPIERODAVINCI，儒略历1452年4月15日（公历4月23日）1519年5月2日，享年67岁），意大利学者、艺术家。欧洲文艺复兴时期的天才科学家、发明家、画家。现代学者称他为“文艺复兴时期最完美的代表”，是人类历史上绝无仅有的全才，他最大的成就是绘画，他的杰作蒙娜丽莎、最后的晚餐、岩间圣母等作品，体现了他精湛的艺术造诣。他认为自然中最美的研究对象是人体，人体是大自然的奇妙之作品，画家应以人为绘画对象的核心。4伽利略（GALILEOGALILEI，1564021516420108）。意大利数学家、物理学家、天文学家，科学革命的先驱。伽利略发明了摆针和温度计，在科学上为人类作出过巨大贡献，是近代实验科学的奠基人之一。历史上他首先在科学实验的基础上融汇贯通了数学、物理学和天文学三门知识，扩大、加深并改变了人类对物质运动和宇宙的认识。伽利略从实验中总结出自由落体定律、惯性定律和伽利略相对性原理等。从而推翻了亚里士多德物理学的许多臆断，奠定了经典力学的基础，反驳了托勒密的地心体系，有力地支持了哥白尼的日心学说。他以系统的实验和观察推翻了纯属思辨传统的自然观，开创了以实验事实为根据并具有严密逻辑体系的近代科学。因此被誉为“近代力学之父”、“现代科学之父”。其工作为牛顿的理论体系的建立奠定了基础ETIQUETTEDIFFERENCEBETWEENCHINAANDAMERICADUETOTHEDIFFERENTHISTORYANDCULTUREOFCHINAANDTHEUNITEDSTATES,THETWOPEOPLEINTHEDECENCYCOMMUNICATIONHABITSHAVEMANYDIFFERENCES1GREETINGINAMERICA,PEOPLEOFTENUSETHEFOLLOWINGEXPRESSIONSTOGREETEACHOTHER“GOODMORNING/EVENING/AFTERNOON“FINEDAY,ISNTIT”HOWISEVERYTHINGGOING”WHILEINCHINA,WEALWAYSSAY“你吃了吗”“你上哪里去”“你干什么去”TOSHOWOURCONSIDERATION2CONVERSATIONINTHEUNITEDSTATES,DONOTTALKABOUTPRIVATEAFFAIRSSUCHASAGE,INCOME,MARRIAGE,BELIEFBUTINCHINA,CHINESEPEOPLEONPRIVACYBOUNDARIESARENOTSODEEPTHEYDONOTCAREABOUTWHETHERPEOPLEUNDERSTANDTHEIRGENERALLIFETHEREFORE,COMMUNICATEWITHAMERICANS,IFWEDONTPAYATTENTIONTOTHISPOINT,THEPERSONMAYTHINKTHATWEHAVEULTERIORMOTIVES,SOMETIMESABUSINESSDEALMAYWASTED3PRESENTGENERALLY,AMERICANSDONTSENDGIFTSWHILESENDGIFTS,THEYUSEDTOSENDBOOKS,FLOWERS,CHOCOLATESANDOTHERTHINGSNOTVERYEXPENSIVETHEYPAYMOREATTENTIONTOTHEPACKAGING,SOMETIMESBEAUTIFULLYPACKAGEDINSIDEJUSTAFEWPIECESOFCHOCOLATE,THEYCAREMOREABOUTSINCERITY,RATHERTHANPRICECHINAHASTHISTOSAYGOODTHINGSSHOULDBEINPAIRS,SOTHECHINESEPEOPLEPAYATTENTIONTOPAIRSGIFTS，ANDTHEYAREMOREWILLINGTOSENDEXPENSIVETHINGSTOSHOWTHEIRSINCERITYINTOTAL,THEREAREALOTOFDIFFERENCESBETWEENTHEUSANDCHINESEINETIQUETTESOITISESSENTIALTOUNDERSTANDEACHOTHERETIQUETTEHABITS,NOTONLYRESPECTFOREACHOTHER,BUTALSOTOBRINGACONVENIENTARCHITECTURESTYLEDURINGTHEROMANREPUBLIC,MOSTROMANBUILDINGSWEREMADEOFCONCRETEANDBRICKS,BUTEVERSINCEABOUT100BCANDTHEROMANEMPIRE,MARBLEANDGOLDWEREMOREWIDELYUSEDASDECORATIONTHEMESINTHEARCHITECTUREOFROME,ESPECIALLYINTEMPLES,PALACES,FORAANDPUBLICBUILDINGSINGENERALROMANSMAINLYCOPIEDTHEIRORDERSFROMTHECORINTHIANORDERS,THEDORICORDERSANDTHEIONICORDERSTHEARCHITECTURESTYLEOFSPQRROMEISWIDELYREGARDEDASBEINGTHECENTEROFBAROQUEARCHITECTURE,ANDWASPROFOUNDLYINFLUENCEDBYTHEMOVEMENTBAROQUEARCHITECTUREBAROQUEARCHITECTUREBAROQUEARCHITECTUREISTHEBUILDINGSTYLEOFTHEBAROQUEERA,BEGUNINLATE16THCENTURYITALY,THATTOOKTHEROMANVOCABULARYOFRENAISSANCEARCHITECTUREANDUSEDITINANEWFASHION,OFTENTOEXPRESSTHETRIUMPHOFTHECATHOLICCHURCHANDTHEABSOLUTISTSTATEMALTAITALYSPAINPORTUGALROMANIAFRANCENETHERLANDSENGLANDPOLISHLITHUANIANCOMMONWEALTHHOLYROMANEMPIRESCANDINAVIATURKEY亭TINGCHINESEPAVILIONS台TAITERRACES楼LOUMULTISTORYBUILDINGS阁GETWOSTORYPAVILIONS轩XUANVERANDASWITHWINDOWS塔TACHINESEPAGODAS榭XIEPAVILIONSORHOUSESONTERRACES屋WUROOMSALONGROOFEDCORRIDORS）CHINAARCHITECTURECLOTHINGHISTORYLIFESTYLETHOUGHTCULTURE01020304REASONREDWHITECONSERVATIVECOMFORTABLEBODYBEAUTYBOLDHOLYPURETHERELIGIOUSDIFFERENCESBETWEENITALYCHINA意大利与中国的宗教差异BY谭鑫辉YOUMUSTKNOWTHATHEREARESDIFFERENCESBETWEENNOODLESMALEMARRIESTHEWOMANGOTMARRIEDWITHRED“HI“ITALSOSYMBOLIZESTHEBEAUTIFULWHILEINTHE,WHITESYMBOLICSIGNIFICANCEFOCUSONTHEIROWNCOLORS,SUCHASSNOW,FRESHMILKWESTERNERSBELIEVETHATELEGANCE,PUREWHITE,SOITISINWESTERNCULTUREADVOCATINGCOLORITISASYMBOLOFPURITY,INNOCENCECHINAWESTREDWHITEWITHTHEDEVELOPMENTOFTHEWORLDEXCHANGESHAVEBECOMEMOREFREQUENTANDTHEDEVELOPMENTOFSCIENCEANDTECHNOLOGY,ININTERNATIONALEXCHANGES,WEAREFACEDWITHUNFAMILIARCULTURESANDWAYSOFTHINKING,LIFEHABITANDBEHAVIORWAYANDWEBETOTALLYDIFFERENTPEOPLE,INTHEPROCESSOFINTERACTIONWITHTHEINEVITABLECULTURALCONFLICTSTHROUGHTOCHINESEANDWESTERNTRADITIONALFESTIVALSREFLECTCULTURALDIFFERENCESINTHECOMPARATIVE,CANH