高三英语一轮复习新闻改编语法填空及原文、注释（四）

Amongthose1.______taughtattheAcademyofArtsandDesign,TsinghuaUniversity,ZhuDanian(1916-95)andWuGuanzhong(1919-2010)weretwoprominentartists2.__________(they)whoformeddistinctivestyles,andwhocontributed3.________(great)tothedevelopmentofthe20th-centuryChineseart.ZhuoncestudiedceramicartinJapanandwas4._____trailblazer（开拓者）ofmodernChineseceramicsdesign.Healsoproducedmonumental（丰碑式的）mural（壁画）worksandpaintings5._________(mark)bydetailsofdelicacy（精致）andintensecolors.Wu6.___________(train)inChinaandFrance.Hiswide-rangingpracticesofpaintingexpandedtherealm（领域）ofChineseinktraditions,andbuiltabridgebetweentheabstractionartoftheWestandtheminimalism（极简派艺术）ofChineseart.ThetwodonatedtheirworkstoTsinghua,whicharecurrently7.______displayinrotation（轮流的）atagallerynamed8._______themboth,attheTsinghuaUniversityArtMuseum,9.________onegettounderstandhowthetwofiguresfoundtheirrespectivewaysin10._________(pursue)ofbeauty.2023.03.10Thelastvolumeof

NotesofHaiCuoTu

1._________________(publish)byCITICPressGroupinBeijingrecently,2.________meansthewholecollection,writtenbysciencebloggerZhangChenliangfrom2014,hasbeenpublished.HaiCuoTu

(PictureofMarineVarieties)isapicturebookrecounting（重新清点）morethan300marinelifeandanecdotesinthecoastalareacreatedby3._______(paint)NieHuangintheQingDynasty(1644-1911).4.______isnowdividedintofourvolumes,5._______(store)atthePalaceMuseuminBeijingandTaipei.6.______duetolimitationsofthetimes,Nie'sworkhassomeinaccurateinformationandheleftsome7.____________(confuse)biologicalquestionshedidn'tmakeclearatthattime,hopingthelatergenerationwouldfindtheanswers.Thatis8.________Zhanghastriedtoaccomplishinthiscollection.ManyofNie'squestionscanbesolvedwithscientificknowledgewemastertoday.Zhanghasresearchedonthemandfoundtheanswers.Inthe9.________(late)volume,Zhangchecks96originalpicturesin

HaiCuoTu,10.________(draw)informationfromthemandhisownresearch,andorganizesknowledgeoffish,shellfish,marinebeastsandplantsin20notes.2023.03.10ChenHongyan,amemberofthe14thCPPCCNationalCommitteeanddirectoroftheAncientBookDepartmentattheNationalLibraryofChina,hasbeencommittedto1._________(protect)ancientbooksoverthelast36years.2.______toimprovetheirprotectionofancientbookshasbeenoneofhertop3._________(concern).Ancientbooksaremostlymadeofpaper,4.________makesthemfragile,non-renewableandproneto（倾向于）degradation（剥蚀）anddamage,Chentoldreportersinarecentinterview.Chensuggeststhatlegislation5.________(make)ontheprotectionandutilization（使用）ofancientbooksso6.______theworkcanbemorescientific,standardandsustainable.“Ancientbookprotectioninvolvesbothrestoringandprotectingthecarrieritself,7.______regenerative（再生的）protectioncharacterizedbythemigration,utilization,andactivationofancientdocuments,”Chensaid.“Ancientbooksarenotonlyculturalrelics8.______booksbynature.9._________,inadditiontoprotectingthem,effortsshouldbemadetoinherit（继承）,promoteandutilizethemtoservethebuildingofamodernsociety.”Chineseancientbooks10.__________(become)protectedbylawshouldbethecharacteristicofancientbookprotectioninthenewera,Chenemphasized.2023.03.07Allart,regardless1._____theirform,shouldentereveryhousehold,saidLiaoChangyong,2._____memberofthe14thNationalCommitteeoftheChinesePeople'sPoliticalConsultativeConference(CPPCC)andpresidentoftheShanghaiConservatoryofMusic."Somepeopleusedtoregardoperaandmusicals3._____'eliteartforms'exclusively4._________(enjoy)bysittinginoperahouses,5.________violatesthelawthatartshouldservethepeople,"saidLiao.Healsonoted6._______,withtheriseofnewmedia,operasandmusicalshavegainedgreat7.__________(popular)amongthepublic,whichhasenrichedthe8.___________(spirit)lifeofordinarypeople.Liao,whoisalsoafamedglobetrottingbaritone（游历世界的男中音）,alsoexpressedthat"Peoplewhoworkinthemusicindustryshouldstrive9._________(tap)intotheessenceoftraditionalChinesecultureandcreateprominentoperaandmusical10._________(work)withChinesecharacteristicsandculturalconfidence".2023.03.10AmongthosewhotaughtattheAcademyofArtsandDesign,TsinghuaUniversity,ZhuDanian(1916-95)andWuGuanzhong(1919-2010)weretwoprominentartiststhemselveswhoformeddistinctivestyles,andwhocontributedgreatlytothedevelopmentofthe20th-centuryChineseart.ZhuoncestudiedceramicartinJapanandwasatrailblazer（开拓者）ofmodernChineseceramicsdesign.Healsoproducedmonumental（丰碑式的）mural（壁画）worksandpaintingsmarkedbydetailsofdelicacy（精致）andintensecolors.WuwastrainedinChinaandFrance.Hiswide-rangingpracticesofpaintingexpandedtherealm（领域）ofChineseinktraditions,andbuiltabridgebetweentheabstractionartoftheWestandtheminimalism（极简派艺术）ofChineseart.ThetwodonatedtheirworkstoTsinghua,whicharecurrentlyondisplayinrotation（轮流的）atagallerynamedafterthemboth,attheTsinghuaUniversityArtMuseum,whereonegettounderstandhowthetwofiguresfoundtheirrespectivewaysinpursuitofbeauty.2023.03.10Thelastvolumeof

NotesofHaiCuoTu

hasbeenpublishedbyCITICPressGroupinBeijingrecently,whichmeansthewholecollection,writtenbysciencebloggerZhangChenliangfrom2014,hasbeenpublished.HaiCuoTu

(PictureofMarineVarieties)isapicturebookrecounting（重新清点）morethan300marinelifeandanecdotesinthecoastalareacreatedbypainterNieHuangintheQingDynasty(1644-1911).Itisnowdividedintofourvolumes,storedatthePalaceMuseuminBeijingandTaipei.Butduetolimitationsofthetimes,Nie'sworkhassomeinaccurateinformationandheleftsomeconfusingbiologicalquestionshedidn'tmakeclearatthattime,hopingthelatergenerationwouldfindtheanswers.ThatiswhatZhanghastriedtoaccomplishinthiscollection.ManyofNie'squestionscanbesolvedwithscientificknowledgewemastertoday.Zhanghasresearchedonthemandfoundtheanswers."Ifeellikeit'sacommunicationtranscending（超越）timeandspacewithancientpeople,"saysZhang.Inthelatestvolume,Zhangchecks96originalpicturesin

HaiCuoTu,drawsinformationfromthemandhisownresearch,andorganizesknowledgeoffish,shellfish,marinebeastsandplantsin20notes.2023.03.10ChenHongyan,amemberofthe14thCPPCCNationalCommitteeanddirectoroftheAncientBookDepartmentattheNationalLibraryofChina,hasbeencommittedtoprotectingancientbooksoverthelast36years.Howtoimprovetheirprotectionofancientbookshasbeenoneofhertopconcerns.Ancientbooksaremostlymadeofpaper,whichmakesthemfragile,non-renewableandproneto（倾向于）degradation（剥蚀）anddamage,Chentoldreportersinarecentinterview.Chensuggeststhatlegislationbemadeontheprotectionandutilization（使用）ofancientbookssothattheworkcanbemorescientific,standardandsustainable.“Ancientbookprotectioninvolvesbothrestoringandprotectingthecarrieritself,andregenerative（再生的）protectioncharacterizedbythemigration,utilization,andactivationofancientdocuments,”Chensaid.“Ancientbooksarenotonlyculturalrelicsbutbooksbynature.Therefore,inadditiontoprotectingthem,effortsshouldbemadetoinherit（继承）,promoteandutilizethemtoservethebuildingofamodernsociety.”TheCPPCCmemberalsoadvisedthatgovernmentsofalllevelsshouldsetasidefundsfromtheirfiscalrevenuesforancientbookprotection,whichcanensurethesustainabilityofthiseffort.Policiesalsoshouldbemadetosupportinstitutesandprofessionalsengagedinthisareaofwork,sheadded.Chineseancientbooksbecomingprotectedbylawshouldbethecharacteristicofancientbookprotectioninthenewera,Chene