浅析小说《时时刻刻》与《达洛卫夫人》的互文性 Introduction

1、IntroductionIntertextuality is a significant sign of Postmodernism fictions. And it was first coined by the French semiotics and feminism critic Julia Kristeva in her work Word, Dialogue and Novel when she was doing research on Bakhtins theory of double-voiced nature of language. After the coinage o

2、f Kristeva, many critics and theorists put forward their own views and perceptions on Intertextuality and intertextuality has been divided into the narrow sense and the wide sense. In the opinion of Sun Xiuli, who wrote the Brief Research of Krestevas Intertextuality in Wide Sense, Kristeva is the r

3、eprehensive scholar of intertextuality in wide sense and intertextuality in narrow sense is presented by Genette. Allen G. summarizes the opinions of predecessors in the way of list the followings: intertextuality origins Saussure and Bakhtin and Kristeva raise a production of it; Barthes holds a vi

4、ew of “text unbound”when indentifying intertextuality; Genette and Riffaterre have their structuralist approsches on intertextuality; as situated readers, intertextuality influents Harold Blooms conflictual vision of the intertextual process; intertextualitys influences on Feminism and Postcoloniali

5、sm, etc.as the introductions, summarizing orientations of intertextuality and the category in intertextual research, the comparison between intertextuality in different systems and genres, etc. In the rest part of the theses, searches on intertextuality in advertisement field, in the www Text in net

6、work building, etc. and in other forms take occupied a part, on the contrary, intertextual researches on literary works, contrarily, are kinds of rare.The Hours is an excellent postmodernism fiction. Michael Cunningham gives a rehearsal on the masterpiece Mrs. Dalloway and The Hours become a hotspot

7、 in American modern literature research. However, most researches are focused on the Stream-of Consciousness technique and Feminism in The Hours, and except of the emphasis of the existence of “footnote”stylish intertextual pastiche to Mrs. Dalloway, rare intertextual researches in other angles have

8、 been done.The intertextual researches in these two fictions become popular in China.Lauren Shih-Ming Tangs Virginia Wolf in Intertextuality: An Intertextual Study of Michael Cunninghams The Hours which published in is a previous research thesis, and she analyzes the intertextual pastiche of Stream-

9、of Consciousness technique in The Hours.In 2004, Song Tao and Zhu Jie points out in their thesis: intertextual referential to Mrs. Dalloway exists in The Hours, and the TheHours inherits the style and theme of Mrs. Dalloway through a way of intertextuality, and this inheritance contributes to remold

10、ing and expounding to the masterpiece. In the same year, the systemic analyses of pastiche intertextuality are rewritten by Wang LiLi in her thesis.Yuan Suhua points out that the intertextual strategy in The Hours is not only simple pastiche, but also are oversteps and innovations. She also consider

11、s The Hours as introspection, criticism, subverting to the radical Feminism in Mrs. Dalloway.But the above these are simply listing the similarities in these two fictions or listing the system of intertextuality. The realistic combination of theory and text rarely exists.Two mature theses are the An

12、 Intertextual Study of The Hours of Xie Ye and Mrs. Dalloway and An Intertextual Reading of The Hours of Wang Chen. The former one drives the concrete forms of intertextuality in narrow sense to classify the analyses towards similarities between the two fictions; the later one has intertextual readings aspects such as symbol, theme, writing technique, etc.This thesis synthesizes the predecessorsviews, and innovates in that, the analyses are arranged by follows two thread: one is the intertextual study from symbolic, charactersto thematic, a