安徽安庆市2025-2026学年度第二学期期末高二英语试题(含答案无音频无听力原文)_第1页
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安徽安庆市2025-2026学年度第二学期期末高二英语试题一、听力选择题1.WhichtabledoesMollyrecommend?A.Asmallone.B.Aroundone.C.Asquareone.2.Whydoesthemanaskthewomanforthebox?A.Tomeasureitssize.B.Tohaveitweighed.C.Toinspectitscontents.3.WhatistheprobablerelationshipbetweenthewomanandJames?A.Classmates.B.Motherandson.C.Teacherandstudent.4.WhatdoesRobertplantodo?A.Workfromhome.B.Finishaprojectsoon.C.Losesomeweight.5.Whatarethespeakersmainlytalkingabout?A.WhetherSamwasill.B.WhomSammetyesterday.C.WhySammissedtheparty.听下面一段对话,回答以下小题。6.Whatproblemarethespeakersdiscussing?A.Thetechnicianisunabletofixthecopier.B.Thecopieratreceptionisoutoforder.C.Thepresentationhastobedelayed.7.Whatwillthewomandotomorrow?A.Getsomecopyingdone.B.Arrangethemeeting.C.Callthecopyshop.听下面一段对话,回答以下小题。8.Howmuchdoesthewomanpayintotal?A.$8.B.$10.C.$16.9.Whatisthewomangoingtodonext?A.Makeapayment.B.Waitforhertakeaway.C.Drinksomeorangejuice.听下面一段对话,回答以下小题。10.WhatisthemaincauseofOlivia’stiredness?A.Workstressattheoffice.B.Poorsleepinghabitsatnight.C.Healthproblemsaffectingsleep.11.WhathappenedtoOliviayesterday?A.Shewasinpoorconditionatwork.B.Shefailedtoattendapresentation.C.Shewascriticizedbyherboss.12.WhatisBill’sattitudetowardOlivia’sproblem?A.Caringandhelpful.B.Worriedandcritical.C.Sorrybuthelpless.听下面一段对话,回答以下小题。13.Whendidthewoman’sholidaystart?A.OnJanuary15th.B.OnJanuary17th.C.OnJanuary21st.14.Whatdidthewomancomplainaboutfirst?A.Therewasnotaximeetingthem.B.Thehousewasfarfromthestation.C.Theyweren’tprovidedwithenoughbikes.15.Howmanypeoplewentonholidaywiththewoman?A.Three.B.Four.C.Five.16.WhatwillJohndothisafternoon?A.Askforsomefeedback.B.Haveadiscussionwithhiscolleagues.C.Tellthewomanabouttheprocessingresult.听下面一段独白,回答以下小题。17.Whatisrequiredforvisitorstojointhetour?A.Advanceregistration.B.Afreeticketforentry.C.Paymentofasmallfee.18.Whatcanvisitorsseeonthesecondfloor?A.Acollectionofsealifephotos.B.Thehistoryoflocalindustry.C.Amodelofafishingboat.19.Whatdoesthespeakersuggestvisitorsdobeforethetourstarts?A.Buysomefoodanddrinks.B.Rememberthevisitingroute.C.Usetherestroomsneartheentrance.20.Whichisthelaststopofthetour?A.Thegalleries.B.Themainexhibithall.C.Thegiftshop.二、阅读理解ALookingfortheperfectfamily-friendlyactivitiestoenjoyinCharentethissummer?Looknofurther!Charenteholidaysofferarangeoffunandexcitingthingstodowithkidsofallages.LaValleedesSingesOneofthemust-visitplacesinCharenteisthestunningLaValleedesSinges,auniqueprimateparklocatedinRomagne.Here,familiescangetupcloseandpersonalwithover30speciesofmonkeysandapes.Kidswilllovewatchingtheplayfulanimalsswingfromtreetotreeandlearningabouttheirbehaviorsfromknowledgeableguides.LacsdeHauteCharenteIfyou’relookingforsomeoutdoorfun,headtoAdventureParkLacsdeHauteCharente.Thisparkoffersarangeofactivitiessuchaszip-lining,ropecourses,andpaddleboarding,makingitagreatplaceforfamiliestogettheiradrenaline(肾上腺素)pumping.Theparkissetinabeautifulnaturalsettingsurroundedbylakes,makingittheperfectspotforafun-filleddayout.AngoulemeForamorerelaxedday,considervisitingthepicturesquetownofAngouleme.Thishistorictownisknownforitscharmingcobbledstreets,medievalarchitecture,andstunningviewsovertheCharenteRiver.Takealeisurelystrollthroughthetown’snarrowalleysandvisitthemanyboutiques(精品店),cafes,andartgalleriesthatlineitsstreets.ChateaudelaRochefoucauldIfyou’reafanofhistory,don’tmissavisittothestunningChateaudelaRochefoucauld.Thisbeautifulcastledatesbacktothe11thcenturyandoffersguidedtoursthatwilltakeyouthroughitsrichhistoryandstunningarchitecture.21.WhatisavailableforvisitorsatLacsdeHauteCharente?A.Artvisitsinlocalgalleriesandmuseums.B.Guidedtoursaboutthehistoryofancientcastles.C.Variousexcitingoutdooractivitiesinabeautifullakearea.D.Peacefulwalksonhistoricstonestreets.22.WhowillbeinterestedinChateaudelaRochefoucauld?A.Animallovers B.Historylovers C.Sportslovers D.Artlovers23.Fromwhichsectionofawebsiteisthetextprobablytaken?A.SportsEducationB.FamilyHolidayGuideC.ScienceFictionReviewD.HealthCareAdviceBFridaKahloremainsoneofthemosticonicandinfluentialartistsofthe20thcentury—notmerelyforherpaintings,butfortheextraordinarylifeshelived.WithhertraditionalMexicandresses,andaresolutegazethatmeetsviewers,shecreatedartthatwasdeeplypersonalyetuniversallyresonant(产生共鸣的).“Mypaintingcontainsinitthemessageofpain,”sheoncesaid.Kahlo’schildhoodwasmarkedbyadversity.Atsix,shewasinfectedwithpolio,whichcausedherrightlegaslightlimp.YettheyoungFridawasspiritedandunbowed.Herlifetransformedat18whenabusaccidentleftherseriouslyinjured:herspinewasbrokeninthreeplaces,herpelviscrushed,andherrightlegshatteredinelevenplaces.Shewouldlaterremarkwithcharacteristicdarkhumorthattheaccident“tookmyvirginity(贞洁)”.Duringmonthsinbed,hermotherplacedamirroraboveherandgaveherpaints.“IpaintmyselfbecauseIamoftenaloneandbecauseIamthesubjectIknowbest,”sheexplained.Paintingbecamebothalifelineandameansofdocumentingherreality.FridaKahloproducedaround200paintings,mostofthemself-portraits.ThoughsomecalledheraSurrealist,Kahlofiercelyrejectedthelabel.“Ineverpainteddreams.Ipaintedmyownreality,”sheinsisted.HerworkmixedMexicanfolkartwithrawhonestyabouthersuffering.InTheBrokenColumn(1944),sheshowedherselfwithacrackedspineheldtogetherbynails.Evenhermedicalcorsets(束身衣)thatlimitedherbodybecamecanvases—shepaintedbutterfliesonthem.AndréBreton,theleaderoftheSurrealistmovement,describedherworkas“aribbonaroundabomb”.Kahlotransformedsufferingintoartandpersonaltragedyintouniversalstatementsaboutthehumancondition.Morethansixdecadesafterherdeath,shecontinuestoreflectaudiencesbecausesheremainsutterlyherself.24.WhatmakesFridaKahloaninfluentialfigure?A.Herpersonalpaintings.B.Herartandlifestory.C.Hertraditionaldresses.D.Herpainandstruggle.25.Whatdoestheunderlinedword“adversity”inparagraph2referto?A.Misfortune B.Delight C.Advantage D.Courage26.WhatdoesAndréBretonimplybydescribingKahlo’sworkas“aribbonaroundabomb”inparagraph3?A.Kahlo’sartshowsmorepainthanbeauty.B.Kahlo’sartturnsbombsintoribbons.C.Kahlo’sartcombinesbeautywithsuffering.D.Kahlo’sartfeaturesribbonsandbombs.27.WhichofthefollowingbestdescribesKahlo?A.Toughandcreative.B.Humorousandeasy-going.C.Dynamicandgenerous.D.Optimisticandself-centered.CBookswerestampedwith“HumanAuthored”logos(标识)atthisweek’sLondonBookFair.TheSocietyofAuthorsdescribeditslabellingas“animportantlogotoprotectandpromotehumancreativityinsteadofAIlabelledcontentinthemarketplace.”VisitorstothefairwerealsogivencopiesofDon’tStealThisBook,acollectionof10,000writersincludingNobelwinnerKazuoIshiguroandRichardOsman,inwhichthepagesarecompletelyblank.Thebackcoverstates:“TheUKgovernmentmustnotlegalizebookthefttobenefitAIcompanies.”TheemptybookisaprotestagainstAIcompaniesusingcopyrightedworkswithoutpermissionorpaymenttotraintheirmodels—andagainstUKgovernmentproposalsthatcouldlegalizethispractice.OrganizedbyEdNewton-Rex,acomposerandcopyrightcampaigner,theprojecthasdrawnvastsupportfromtheliteraryworld.TheAIindustryis“builtonstolenwork”“Thisisacrimethathasvictims,”headded,“GenerativeAIcompeteswiththecreatorsoftheworksittrainson,takingawaytheirlivelihoods.”TheprotestcomesjustaweekbeforetheUKgovernmentisduetopublishaneconomicimpactassessmentofproposedchangestocopyrightlaw.Thegovernmentinitiallyproposedasystem,underwhichAIfirmscouldusecopyrightedmaterialunlessrightsholdersrefusedpermission—anexactoppositeofcopyrightlaw’scoreprinciple.Only3%ofpeoplesurveyedbackedtheplan.Thegovernmentdroppeditbutisnowconsideringa“commercialresearchexception”thatwouldstillallowAIcompaniestouseworkswithoutapprovalforcommercialtraining.FortheauthorsbehindDon’tStealThisBook,theblankpagesareapowerfulsymbol:theyrepresentthefutureofwritingifAIcompaniescontinuetousecreativeworkwithoutpayment—aworldwhereauthorsareleftwithnothing.AstheSocietyofAuthorsputit,theemptybookis“astopgapmeasure”—buttherealsolutionisacopyrightsystemthatprotectshumancreativity,notcommercialgreed.28.Whywerethebooksstampedwith“HumanAuthored”logos?A.Toshowpublicsympathyforauthors.B.TofightAI’sstealingcopyrightedworks.C.Topromotenewly-publishedworks.D.Tointroducepromisingauthors.29.WhatisAIcreators’influencetothehumanwriters?A.Theyimprovethewritingefficiencyofhumanwriters.B.Theyhelphumanwriterscreatemorewonderfulworks.C.Theyprotectthecopyrightofhumanliteraryworks.D.Theymayclaimtheirmeansofmakingaliving.30.Whatisparagraph4mainlyabout?A.TheprotestweakeningUK’seconomy.B.Copyrightlawenjoyingpublicsupport.C.AIfirmsprioritizingcommercialprofits.D.TheUKgovernmentfavoringAIcompanies.31.HowdoestheSocietyofAuthorsviewtheemptybook?A.Itisaband-aidfix.B.Itstandsthetestoftime.C.Itisagamechanger.D.Itworksonceandforall.DScientistshavetakentothesalon(美发厅)afterrealisinghairdressersmaybean“under-recognised”forceinfuelingclimateaction.Alongsidetheircraft,hairdressersareknownfortheirconversationskills,whooftenactasanagonyaunt,adviserandfriendrolledintoone.NewresearchfromtheUniversityofBath’sCentreforClimateChangeandSocialTransformation(CAST)revealsthisiswhatmakeshairsalonscentersoftrustthatcouldbeusedtoencourageconversationsaroundclimatechange.Theresearchteaminterviewed30UKsalonownersaboutsustainability,andthenrananationwideinterventionin25sustainablesalonsusingMirrorTalkers,whereeco-tipsareplacedonsalonmirrorstoengenderdiscussionsonsustainablehaircarepractices.“Thecarbonfootprintofshampoo(洗发水)ismostlyinthehotwaterused,”saysDeniseBadenoftheUniversityofSouthampton.“Simplemessageslike‘mostofususetoomuchshampooandshampootoooften’cansparkconversationsabouthowshampooinglessandatlowertemperaturessavestime,money,energy,waterandisbetterforyourskinandhair.”Thestudyfoundnearly73%ofsalonclientswerelikelytochangetheirhaircareroutinesafterconversationssparkedbytheMirrorTalkers,someevenswitchingtoeco-friendlyproducts,usingcoolerwater,andadoptinggreenerhabitsathome.Researcherssaythisdemonstrateshowhairdressershavean“untappedability”toweaveclimatechangeintoeverydayconversationsandactions.TheyarenowurgingpolicymakerstorollouttoolslikeMirrorTalkersnationally.“Ifwe’reseriousaboutbuildingapublicmovementforclimateaction,thenit’stimetoinvestintheseunsunginfluencersbecauserealchangestartsineverydayconversations,”saysDrSamHamptonofCAST.MatildaCollins,aseniordirectorandstylist,saystheMirrorTalkersinitiativecouldgainpositiveoutcomesiftheexperience“feelsnaturalandengagesclientswithoutbeingoverlyvirtuous”.Sheadds,“Ultimately,thetrustastylistbuildswiththeclientiswhatwilldrivepotentialpositivechangesinbehaviour.Itcouldbeagreateducationplatformandaconversationstarter,however.”32.Whatdidtheresearchersaskthesalonownerstodotopromotesustainablepractices?A.Changehaircareproductsforfreefortheirclients.B.Putuptheeco-tipsonthesalonmirrors.C.Teachclientshowtocuthairinanenvironmentallyfriendlyway.D.Surveyclientsabouttheircarbonfootprintdaily.33.Whatisthefocusofthethirdparagraph?A.Theimportanceofsavingwater.B.Theharmofoverusingshampoo.C.Thefunctionofeco-tipsinsalons.D.Thestrategyofstartingconversations.34.WhatcanweinferfromDrSamHampton’swords?A.Soundpoliciesencourageinvestment.B.Dailyconversationscanmakeadifference.C.Unsunginfluencersneedprofessionaltraining.D.MirrorTalkershasgainednationwidepopularity.35.Whichofthefollowingcanbeasuitabletitleforthetext?A.Salons:OverlookedCenterstoBuildTrustB.Haircare:AHiddenSourceofCarbonFootprintC.MirrorTalkers:APlatformtoShowFashionTrendsD.Hairdressers:SecretWeaponsAgainstClimateChange七选五Settingboundarieswithpeople,especiallythoseyoucareabout,canbedifficult.Youmayfeelguiltyaboutdoingso,butthere’snoneedto.36.___Offersubstitutestowhattheywant.Youmayhaveafriendwhowantstocomeoverandstayallday.Beingagoodfrienddoesn’tmeandoingeverythingtheywantyoutodo.37.___Forinstance,youcansay,“Youcancomeover,butonlyforafewhoursbecauseIhavethingsIneedtodo.”Tellyourfriendyou’llhelp,butyouexpecthelp,too.38.___Letyourfriendsknowthatyouexpectthesameamountofhelpthatyougive.Forexample,ifyourfriendalwaysbumsaride,youcouldsay,“Idon’tmindtakingyoutoplaces,butI’llneedsomegasmoneyifthisisgoingtocontinue.”39.___Some“friends”wanttouseupallyou’vegot,butneverofferanythinginreturn.Theymaycontinuallybreakpromises,constantlyborrowthingsfromyoubutrefusetoreturnthefavor,andsoon.Offerawarningaboutboundaryviolationstoletyourfriendknowwhentheyoccur.Youmightsay,“Hey,youstoodmeuplastnightandthatwasn’tcool.I’llstopmakingplanswithyouifthishappensagain.”Say“goodbye”tofriendswhocontinuallycrossboundaries.Inthecourseofestablishingyourboundaries,youmightlearnthatsomefriendsmaypushyourlimitscontinuouslyandtheyjustarenotworththeeffort.40.___Youcouldsay,“Ifeellikeourrelationshipisone-sided.Iwon’tbeabletocontinueputtingallIhaveintoourfriendshipifyoudon’tdothesameforme.”A.Giveawarning.B.Tellyourfriendwhatyouneed.C.Beclearthatyoucannolongermaintainsuchafriendship.D.Tellyourfriendsyouneedmorepersonalspacefromnowon.E.Youdon’thavetocutthemoffcompletely,however,youcanofferalternatives.F.Youmaybeconsistentlyavailabletohelpout,butneverreceiveanyinreturn.G.Herearesometipsabouthowtoestablishboundarieswithfriends.三、完形填空Iwasborninaruraltown.Thelifetherewassimpleyet41.___—unspokenrulesgovernedeverythingandnewideaswererarelytolerated.Ifeltcagedand42.___bythehumblehouses,theroughroads,andeventheendlessstretchesofcornfields.Evenmoreunacceptably,independencewasn’texactly43.___there,andIhadtofollowabeatenpath,alifedefinedbyconvention.SoI44.___—farawaytoabigcity.Citylifewasreally45.___.Ithrewmyselfintonewexperiences—samplingnewcafes,visitinggalleriesandplayingARgames…—to46.___myhard-wonindependence.Yetgradually,beneaththecity’srestlessenergy,ahuge47.___fromnotbelongingswallowedmyheart.Theconstantmotionofcitylifewasn’tsustainable,andIneededtogobacktomy48.___.Yearslater,IreturnedtotheplaceIonce49.___.Tomysurprise,whileIhadchanged,sohadmyhometown,withsmall,welcoming50.___everywhere:Tallbuildingsstoodtoweringandvariousshopslinedthewidenedstreets.Thecornfields,oncesymbolsofallIlongedtoescape,becamespacesforreflection,progress,andfinally51.___.Admittedly,Ifearedbeinglabeledasa“failure”atthecitylife,yetnosuch52.___came—onlyquietunderstanding,or,53.___,youcouldsay.Thishomecoming,54.___,wasnotjustareturn,buta(n)55.___ofthesoul,empoweringmetostayrootedandcarveoutanewlifeonmyownland.41.A.stableB.addictiveC.inflexibleD.confusing42.A.ashamedB.puzzledC.thrilledD.choked43.A.celebratedB.displayedC.explainedD.ruined44.A.sataroundB.showedoffC.tookflightD.gainedground45.A.conventionalB.fascinatingC.complicatedD.tolerable46.A.recoverB.advertiseC.enjoyD.witness47.A.emptinessB.guiltC.regretD.concern48.A.dutiesB.tripsC.destinationsD.roots49.A.recalledB.missedC.choseD.resisted50.A.qualitiesB.decorationsC.transformationsD.inventions51.A.patienceB.growthC.memoryD.uniqueness52.A.beliefB.impressionC.surpriseD.judgment53.A.empathyB.praiseC.promiseD.gratitude54.A.particularlyB.thankfullyC.secretlyD.strangely55.A.refreshmentB.appreciationC.descriptionD.exploration四、语法填空Inancienttimes,peoplereliedheavilyonexchanginglettersandbriefnotesforcommunication.Scholarsandartistsfeltthatwritingordrawingonwhitepaperwasfarfrom56.___(full)offeringanexpressionoftheirthoughtsandliteraryandartistictastes.Thus,theydesignedaspecialtypeofpatternedpapercalledhuajiananddecoratedit57.___customizedmotifs(装饰图案)andcharacters,onsmaller-sizedsheets.ResearcherscommentedthatintheirresearchpapersontraditionalculturethisyearhuajianrepresentsthehighestartistictasteofancientChinese58.___(intellectual).FromtheTangDynasty’spoetstoEmperorQianlongoftheQingDynasty,theyallshared59.___(enthusiastic)forpersonalizedpaperart.RarelyseenexamplesoftheuniquehuajiantraditionwereonshowattheArtMuseumofBeijingFineArtAcademy.Theexhibitiondisplayedcolorful,patternedvintage(古色古香的)paper,selectedhuajiancatalogs,andplanksandtoolsforwoodcutprinting.Theobjects60.___(gather)fromthecollectionsofeightmuseumsandculturalinstitutions.Theexhibitionfollowstheevolvingaesthetics(美学)ofacademics61.___(reflect)innovationsinpapermakingandprintingtechniques.Whennot62.___(print)withwords,thesepatternedpapersareworthyofappreciationasstand-outminiaturepaintings.“As63.___uniqueformofstationery,huajianpapercarriesagalaxyofemotions,64.___patternsarelikebackgroundmusiconpaper,thoughtheycannotbeheard.Theydonottakeattentionawayfromthetexts,butpossessalingeringcharm,65.___(remind)peopletodayofthecreativeartistryandsinceritybetweenthelines,”saysthedirectoroftheBeijingFineArtAcademy.五、书信写作66假定你是李华,你为校英语社团举办的“GreenCampus”活动设计了宣传海报并获得好评。请在英语社团分享你的设计,内容包括:1.海报的内容;2.设计的理念;3.呼吁采取行动。注意:(1)写作词数应为80个左右;(2)请按如下格式在答题卡相应位置作答。Dearfellowmembers,_________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________六、读后续写67Whenthenightfell,James,amiddleschoolstudentinLondon,draggedhistiredbodyhome.Inordertosavemoneytobuyhimselfanewbike,hehadbeenworkingatarestaurantforoveramonthduringthesummervacation.Hehadalreadyearnedsomemoney.Withonemoreweek,hewouldhavehisdreambike.Enteringtheroom,JamesfoundhisyoungerbrotherAdamsittingontheedgeofhisbedwithanuneasyexpressiononhisface.JamesstaredatAdamconfusedly.“Sorry.Ididsomethingwrong,”Adamsaid,onthevergeoftears.“What’sthematterwithyou?”Jamesasked.“ThisafternoonIwenttoplayfootballontheroadoutsidethehouseandaccidentallyhitourneighborMr.Black’scar.IwassoscaredandIhurriedhomeinpanicwithouttellinghim,”Adamsaid,fullofguilt.“Isthecarseriouslydamaged?”Jamescouldn’twaittocontinueasking.“Theballhitthecarbackandthetaillightgotbroken,”Adamsaidinalowvoice.“It’strulyyourfault.It’sreallydangeroustoplayfootballontheroad.What’sworse,youshouldn’thavecomebackwithouttellingMr.Blackaboutit.Youaresuchanaughtyboy,”Jamesraisedhisvoice.Hearingthis,Adamloweredhisheadandbithislipshard.Jamesadded,“Anyway,it’snevertoolatetomend.I’11takeyoutohishousetomorrowtoapologize.Nowit’stimetosleep.”WhenAdamwentbed,Jamescouldn’tgotosleephimself.

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