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passage1
JoinUs,SucceedTogether!
TomeettherapiddevelopmentofWal-MartinChina,wenowinvitepeoplewithqualificationtojoinus.
ConstructionManager
Youareemployedtoleadandtrainateamofprojectmanagersandmanageallstagesofprojectsunder
constructionthroughoutChina.
Requirements:UniversitygraduateinArchitecturewithatleast6yearsinProjectManagement.Beingable
toworkonweekendsandonthenightshiftisadistinctadvantage.
PublicRelationManager
Yourdutiesincludepublishingthenewsrelatedtothecompany,supportingandmaintaining(维护)the
localpublicrelationshipalloverthecountry.
Requirements:Bachelordegreeorabove,3+years'managerialexperience.GoodcommandofChineseand
English.Richmedianetwork,excellentnegotiationskill,andgoodorganizationskill.SeniorMarketResearch
Manager
Weareacceptingapplicantswhoareresponsibleforresearchprojectsdesign,qualitycontrol,dataanalysis,
reportpreparationandpresentation.Youalsocommunicatewithresearchsuppliers,manageandcontrolthe
surveyquality.
Requirements:Bachelordegreeorabove,majoringinBusinessAdministrationorMarketing.Fluent
English,skillfulPCoperationandcompleteknowledgeaboutstatistics&dataprocessing.Business
DevelopmentManager
Youareresponsibleforfindingnewbusinesssites.You'llconductnegotiations,signandkeepgood
relationshipwithdevelopers.
Requirements:Bachelordegree,goodspokenandwrittenEnglishandgoodcomputerskill.5plusyears
experiencewithnotlessthan3-yearexperienceinbusinessdevelopmentfield.
(1)Whatisaplusifyouapplytobeaconstructionmanager?
A.Willingnesstoworkovertime.
B.Richworkingexperience.
C.Greatsenseofteamspirit.
D.Excellenthumanrelations.
(2)WhatpositionrequiresanapplicanttomasterEnglishandChinese?
A.Constructionmanager.
B.Publicrelationmanager.
C.Businessdevelopmentmanager.
D.Seniormarketresearchmanager.
(3)What'sthedutyofabusinessdevelopmentmanager?
A.Checkingprojectquality.
B.Trainingprojectmanagers.
C.Negotiatingwithdevelopers.
0.Publishingthecorporatenews.
passage2
TensofthousandsofancientpicturescarvedintotherocksatoneofFrance'smostimportanttouristsites
arebeinggraduallydestroyed.Scientistsandresearchersfearthatthe36,000drawingsonrocksinMontBegoin
theFrenchAlpsarebeingdamagedsorapidlythattheywillnotsurviveforfuturegenerations.
Themountainbelievedtohaveoncebeenasiteforprayerisscattered(散布)with4000-year-old
drawingscutintobarerock.Butasthepopularityofthesiteincreases,thepicturesarebeingruinedby
thoughtlessgraffiti(涂鸦).
JeanClottesisthechairmanoftheInternationalCommitteeonRockArt.HesaysnPeoplethinkthat
becausethepictureshavebeentheresolongtheywillalwayscontinuetobethere.Butifthedamagecontinues
atthisratetherewillbenothingleftin50years."
Hedescribesseeingtouristsstampingonthedrawings,wearingawaytherockandclearnessoftheartwork
astheydoso.Somevisitorshesaysevencutoffpartstotakehomeassouvenirs.Otherresearchersdescribehow
peoplearrivecarryinglongstickswithsharpendstoscratchtheirowndrawings,oreventheirnamesinthe
rocks.
Butexpertsaredividedoverthebestwaytopreservethedrawings.HenrydeLumley,directorofthe
MuseumofNaturalHistoryinParis,believesthattheonlywaytosavethesiteistoturnthewholemountain
intoa"no-goHarea,preventingthepublicfromgoingthereexceptonguidedtours.
Clottesdisagrees."ThemeasuresuggestedbyHenrydeLumleyisthemostsevere,andwhileitisthemost
effective,itisalsocertaintobringaboutprotestsfrompeoplewholivethere”hesaid.nThesitewasclassified
asahistoricmonumentyearsagobytheMinistryofCultureandwemustdoasmuchaspossibletosavewhatis
there."
AnnieEchassouxwhoalsoworkedonresearchingthesiteisalarmedthatasthemountainbecomeseasier
toreach——touristscannowavoidthethree-and-a-half-hourwalkbyhiringvehicles-thedamagewill
increaserapidly.Shethinksthattheonlysolutionistoropeofftheareaandprovideguides.HYoucan'tsaythe
plancan'tgoaheadbecausethereisnomoney"shesaid.nThatisnotgoodenough.Moneymustbeprovided
becausetheMinistryofCulturehasclassifiedthisareaasahistoricsite.Ifwedon'ttakesteps,wewillbe
responsibleforlosingthedrawingsforthenextgeneration."
(1)JeanClottessaysthatpeoplewhovisitthemountain.
A.donotbelievethedrawingsareold
B.believetheyareallowedtopaintthere
C.assumethedrawingswillnotdisappear
D.thinkthedrawingsshouldbeleftalone
(2)AccordingtoJeanClottessomeofthevisitorstotheareahave.
A.takenbitsoftherockhome
B.helpedtocleanthedrawings
C.beenunabletotakephotographs
D.misunderstoodwhatthepicturesmean
(3)HenrydeLumleyiseagerto.
A.protectpublicrights
B上antrafficinthearea
C.setupresearchprojects
D.keepoutindividualvisitors
(4)WhichwordbestdescribesAnnieEchassoux'sattitudetowardssavingthehistoricsite?
A.Worried.
B.Supportive.
C.Disappointed.
D.Hesitant.
(5)ThispassagehasbeenwrittenaboutMontBegoto.
A.advertisetheclosingofthesite
B.encouragescientiststovisitthesite
C.describefearsforthefutureofthesite
D.warnvisitorsaboutthedangersofthesite
passage3
ExploreChina'sAncientWaterTowns
Nanxun
Thiswatertowntypicallydrawssmallercrowds.ThearchitectureisauniquemixoftraditionalChineseand
Westernstyles.Asyouwalkalongtheancientcanals,you'relikelytoseelocalsplayingcardsorhavingtea
outdoors.ThetowndatesbacktotheChunyouPeriodoftheSongDynasty,betweentheyearsof1241to
1252.Today,it'sconsideredtobethebestdestinationforweddings.
Tongli
TongliisconsideredaminiVenice,withnearlyeverybuildingonorbyacanal.Thetownitselfiscomposed
ofsevensmallislands,separatedby15canalsandjoinedbymorethan40bridges-plus,fivelakessurroundthe
townitself.Tongliismorethan1,000yearsold,andtheoldestbridgeinthetowndatesbacktotheSong
Dynasty,whichbeganintheyear960.Visitorshereshouldcheckouttheweddingmuseum,whichhasantique
Chineseweddingclothesanditemsondisplay.
Zhouzhuang
ThisisthemostfamousandmostcommercializedancientwatertowninChina.Thearchitectureheredates
backmorethan900years,withabout60originalbrickarchivesand100originalcourtyards.Morerecently,a
towercalledQuanfuTemplewasbuiltin1987.Climbtothetoptogetthebestviewoftheancienttown.Orfora
moreauthenticexperience,visitChengxuTaoistTemple,whichwasbuiltbetween1086and1093.It'soneofthe
mostfamousTaoisttemplesinthearea.
Xitang
Xitangseparatesitselffromotherwatertownswithshelteredwatersidestreets,allowinglocalsandguests
tocomfortablywalkalongsidethecanalsevenduringtherainyseason.Thankstoalesscommercialatmosphere,
visitorswillberewardedwithopportunitiesthataren'tlikelytobefoundinotherwatertowns-likefishingwith
localsonthecanalsandhavingdinneronaboat.Xitangistrulyancient,datingbacktotheWarringStatesPeriod
of476BCto221BC.
(1)WhichtownwillanancientChineseweddingculturelovermostprobablyprefer?
A.Nanxun.
B.Xitang.
C.Tongli.
D.Zhouzhuang.
(2)WhenwasQuanfuTemplebuilt?
A.In900.
B.In1086.
C.In1093.
D.In1987.
(3)WhatisuniqueaboutXitang?
A.ItsfamousTaoisttemples.
Bitsshelteredwatersidestreets.
C.Itsvariousancientbridges.
D.Itscommercialatmosphere.
passage4
Fewwouldquestionthatarts,initsmassiveformsandmedia,arelikeamirrorthatreflectsthesocial,
cultural.economicorevenpoliticalsituationofasocietyofaparticularera.However,beyondbeingsimplyan
illustrationofthehumancondition.artscanbevitalinpushingthecountryforward.culturallyandeconomically.
Withoutdoubt,artsareimportantfortheprogressofsociety.Theyenableindividualstodeveloponthe
wholeanddeepenthesocialtiesincommunitiesbygatheringpeopletocreate.experienceandenjoyart
together,whichcanbeseenfromtraditionalethnicdancestointeractivetheatreperformances.Beyondmaterial
wantsand.needs,humanbeingsfindfulfilmentinexperiencingandexpressingthingsofremarkablevalue
througharts.Meanwhile,strongcitizens*participationinartsalsostrengthensthesocialfabricofanation.
Moreover,artsenableanationtoprogressinhumanrightsandvalues.Aspowerfulmediathatareableto
stirheartsandcausereflection,artscanspeakupthehumanvoiceofcriticismsharplyandclearlyintimesof
crisis,andcalluponsocietytoseekthecommongood.ltisevidentthatarts,whichexpresshumanvaluesand
emotions,canconstituteaprofoundwayofpromotinghumandignityandadditionally,formthebarrierofthe
ethicalandmorallifeofsociety.
Moreoftenthannot,aboomingartsscenemaynotnarrowtherich-poordivide.It'snothardtoseethatin
ahighlycompetitiveworld,itisessentialforgovernmentstoprioritizethedevelopmentofastrongworkforce
andthebuildingofsustainableindustries.However,wheretheycanbeafforded,artsmaywellcomplement(补
充)economicpoliciesasartsencourageindividualstoexercisecreativity.AsAlbertEinsteinstated,imagination
ismoreimportantthanknowledge.Whileknowledgeandprofessionalskillsmaystimulateacountry's
development,theabilitytoinnovateandthinkoutoftheboxmaybevaluabletoasocietyfacingevernewand
unpredictablechallenges.
Whiletheimportanceofartsmaydifferfromcountrytocountry,dependingonitseconomiccircumstances
andthesocial-politicalissueseachface,theimportanceofartstotheprogressofanationshouldnotbe
overlooked.
(1)What'sthefirstparagraphmainlyabout?
A.Theformsofarts.
B.Thefunctionsofarms.
C.Thedefinitionofarts.
D.Thedevelopmentofarts.
(2)Howdoartsinfluencehumannightsandvalues?
A.Byreflectinghumans*views.
B.Bypointingoutthecommongood.
C.Bygivingpeopleasenseoffulfilment.
D.Byformingthemoralstandardofsociety.
(3)WhyisAlbertEinsteinmentionedinparagraph4?
A.TopraiseAlbertEinstein'sachievements.
B.Tocallonhumanstorememberourhistory.
C.Tostresstheunimportanceofartsincreativity.
D.Toshowthenecessityofknowledgeandskills.
(4)Whatwilltheauthorprobablyagreewith?
A.Artsserveasthemajorinfluenceinvalues.
B.Artsplayapartintheprogressofacountry.
C.Artsshouldaimatstrengtheningsocialbonds.
D.Artscanbridgethegapbetweenrichandpoor.
passage5
Theartifacts(文物)aresilentwitnessesofbygoneeras.ltisonlyinamuseumthatyoucanreconnectwith
thepast.IfyouarevisitingmuseumsinSydney,thefollowingwillofferyouthebestexperiencesthatreflecton
thediversehistoryofAustraliaanditspeople.
PowerhouseMuseum
IncaseyouarevisitingSydneywithyourfamily,thismuseumoffersoneofthemostexcitingexperiences
inthiscity.Themuseum'sexhibitsaredevotedtodisplayingtechnologiesthathavetransformedour
world.Detailinginnovationsinspacetravel,nuclearscienceandtheworkingsoflight,electricityandgravity,
theywillsurelyinterestyourentirefamily,especiallytheyoungones.
AustralianNationalMaritimeMuseum
Australiaissurroundedbywater.Gettingsomeinsightsintohowthishugelandrelatestoitssurrounding
watersisquitehelpfulasitisexciting.LearnhowAustraliaanditspeoplehavebeenaffectedbythewaters.Go
backinhistoryandlearnabouttheexperiencesofthefirstpeoplebroughttoAustraliaasprisoners.TheSea
Journeysexhibittakescareofthis.
AustralianMuseum
ImaginecomingfacetofacewithtencompletedinosaurskeletonsintheDinosaurexhibit!Asyouwalk
throughthemuseum,youwillcomeacrosstheExploringAustraliaexhibitwhichwilltakeyouthroughstuffed
recreationsofsomeofAustralia'smostdangerousanimalsincludingthenow-extinctTasmanianTiger,ten
mostpoisonoussnakesandanumberofcrocodiles.Certainly,thisisamuseumyouwillnotwanttomissouton.
MuseumofSydney
Hereyouwilllearneverythingabouttherichanddiversehistoryofthiscity.Thedigitalpresentationswill
interestyou.GettheopportunitytoviewahugerangeofartifactsfromSydney'shistory.Thegiftshopinthe
museumgivesyouawiderangeofspecialgiftstochooseforyourlovedones.
(1)WhatisspecialaboutPowerhouseMuseum?
Alt'sespeciallykid-friendly.
B.Itsexhibitsarethelatest.
C.IttellsAustralia'searlyhistory.
D.ItreflectsSydney'slifenearthesea.
(2)WheredoestheExploringAustraliaexhibittakeplace?
A.PowerhouseMuseum.
B.MuseumofSydney.
C.AustralianMuseum.
D.AustralianNationalMaritimeMuseum.
(3)Whoaretheintendedreadersofthistext?
A.Students.
B.Tourists.
C.Historians.
D.Journalists.
passage6
Withliondance,ChineseKongfu,Chinesecrosstalk,songsanddances,andaward-winningspeeches,
studentsfromacrossNewZealandshowedtheirChineselanguageskillsintheannualnChineseBridge"event
heldonSaturday.
Fifteensecondaryschoolstudentsandtwoprimaryschoolstudentsparticipatedintheevent,whichwas
organizedbytheConfuciusInstituteinAuckland.
Naisi,aNewZealandmemberofparliament(议会),reflectedonhisownexperienceoflearning
Chinese.HecametoNewZealandatfive.HehadverypatientChineseteachersandpassedtheChineselanguage
testssmoothly.ThecapabilitytospeakChinesegroundedhimwellinhisChineseculture.Heislookingforward
tohearingfrombilingual(双语)talentswhowillhelpNewZealandbecomemorediverseandpromotecross
-culturalexchanges.
ElijahfromtheLincolnHighSchoolstartedlearningChinesewhenhewaseleven.ltwashisfifthtimeto
participateinthe"ChineseBridge”.HesaidthatlearningChineseisofgreathelpforhimtoknowChinabetter
andhewishedtovisittheGreatWallinBeijing,theOrientalPearlTowerinShanghaiandtheYellowCrane
TowerinWuhan.
RyanfromtheChristchurchBoy'sHighSchoolsaidthatlearningChineseprovideshimwithmore
opportunitiesforfuturecareerdevelopment.HesaiditwasawesomethatlearningChinesecouldallowhimto
makefriendswith1.4billionpeople.
ChineseAmbassadorTrophyfromACGParnellCollegesaidthatlearningChinesehadopenedanewdoor
forhim.FromleaningChinese,hestartedtounderstandthemeaningoffilialpiety(孝顺),whichmadehim
closertohisparents.HelearnedChineseveryhardandwishedthefriendshipbetweenNewZealandandChina
makesfurtherprogress.
(1)Whatcanwelearnabout"ChineseBridgeneventfromthefirstparagraph?
A.It'saChinesebridge.
B.It'sheldonweekdays.
C.It*sayearlyevent.
D.It'sheldforChinesestudents.
(2)WhycouldNaisiknowChineseculturewell?
A.Hereliedonhisownexperience.
B.HehadtheabilitytospeakChinese.
C.HebegantolearnChineseatfive.
D.Heattractedsomebilingualtalents.
(3)WhathasTrophybenefitedfromlearningChinese?
A.Organizingthecross-cultureevent.
B•SecuringhimajobinChina.
C.VisitingChinawithascholarship.
D.Havingabetterrelationshipwithhisparents.
(4)WhatdidthefourmenmentionedinthepassagethinkoflearningChinese?
A.Amusing.
B.Meaningful.
C.Efficient.
D.Tough.
passage7
Chineseinkpaintingsoncewereontheedgeofbeingforgotten-atleastaccordingtoapaperofLi
Xiaoshan,apostgraduateartstudent.
Atthetime,manyChinesepaintingprofessionalspassedawaywithoutfindingyoungerartiststofilltheir
shoes.Youngartistswereleftontheirowntofindbreakthroughsanddefinethemselvesasartists.While
extremelyexaggerated(夸张),Li'scommentsentshockwavesthroughtheChinesepaintingcommunity.Since
then,manyexperimentalpaintershavetakentotheirstudiosinChina,creatingmanyastonishingand
inspirationalinkpaintingsusingnewmethodsandconcepts,markinganimportantstepforthedevelopmentof
contemporaryChinesepaintings.
ShaoGeisarepresentativeofthisnewform.BorntoanordinaryfamilyinBeijingin1962,Shaowaskeen
ontraditionalChinesepaintings.Asachild,hespentmuchofhistimestaringattheinkmasterpiecesinthe
PalaceMuseum.Therewasanelderneighbor,whowasgoodatChinesepaintingandcalligraphy.Inhisspare
time,thekindeldertalkedabouttraditionalChineseculturetoyoungShao.Someyearslater,Shaodecidedto
studypaintingaftergraduatingfromhighschool.AftergraduatingintheBeijingArtsandCraftsSchoolin1978,
Shaowassenttoworkatasmallcraftsfactory.Beforelong,thefactorywentbankrupt.Shaolaterpassedan
examandbecameapainterforRongBaoZhai,afamousChineseartgalleryestablishedin1672,Thiscareer
jumpallowedShaotospringboardintoalifetimeofinkpaintings.
"Atfirst,Ijustdreweverything-landscapes,figures,flowers,birds,andfish,"Shaosaid."ButIsoon
foundstickingtotraditionalthoughtsandskillsofChinesepaintingswouldbeabrakeonmydevelopmentasa
professionalpainter.Forthisreason,Idecidedtoinnovatemyownstyle."
(1)Whatdotheunderlinedwords"filltheirshoes"meaninParagraph2?
A.Calmthemdown.
B.Askthemforhelp.
C.Focusonthemselves.
D.Takeovertheirroles.
(2)WhatdoesParagraph3mainlyintroduceaboutShaoGe?
A.Hisjourneytoart.
B.Hisfamilybackground.
C.Hisneighbor'sinfluence.
D.Hispassionforlearning.
(3)Whatwillbeprobablytalkedaboutinthenextparagraph?
A.People'sviewofShao'spainting.
B.Shao*simpactonChinesepainting.
C.Thedevelopmentoftraditionalpainting.
D.Shao*ssuccessfulexperimentinpainting.
(4)Inwhichcolumnofanewspapercanthistextprobablybefound?
A.Fashion.
B.Feature.
C.Education.
D.Literature.
passage8
SomeItalianarchitectshavecompletedthefirst3D-printedhomemadefromclayrecently.ltiscalled
TECLA,whichcomesfrom"technology"and"clay".
Itsfounder,MarioCucinella,pointsoutthatbuildinghomesfromearthisnotnew.Adobe-madefroma
mixofearth,waterandorganicmaterial-isoneoftheworld*searliestconstructionmaterials,knownforits
firmness,andbio-degradability.Hehopesthatitsdesigncanbecomeapracticaloptiontohousepeoplewho
lackadequatehousingduetofinancialissues.
Overthepastfewyears,many3D-printedhomesandcommunitieshavebeenconceptualized,promising
lowconstructioncosts.Butwhilepreviousstructureswerebuiltusingconcreteorplastic,TECLAwasmainly
builtfromsoilatthesitemixedwithwaterandfibersfromricehusks.Cucinellabelievesthisapproachcanbe
adoptedindifferentpartsoftheworld,usingwhateverlocalmaterialsareavailable,andcouldbeparticularly
helpfulinremoteareas,whereindustrialconstructionmaterialsarehardertocomeby.
Printingwithclayhasitsdrawbacks.It'samuchslowerprocessthanquick-dryingconcrete3D-printed
homesandall-clayskyscrapersarenotlikelyinthefuture.However,theuseofavailablesoilandtheprogram's
easeofconstructionmeanthatTECLAcouldbewell-suitedtoprovidehousinginmanydifferentcountries.lt
isestimatedthatby2030,3billionpeoplewillrequireaccesstoaccessibleandaffordableresidences.HYoucan
buildthiskindofhouseinmanymoreplaceswhenyouarenotdependentonsomespecificproduct,"Cucinella
explained.
TECLAhasdrawnwideattention.'Tmnotinthepositiontosaythiswillbethefutureofallhousesonthe
planet,"Russo,another3D-printingarchitectsaid.However,headded,"Ithinkthisrevolutionof3D
printingistogivepeopleadegreeoffreedominhowtodothings,withoutbeingconnectedtoabig,
professionalindustry."
(1)What'sthepurposeofTECLA?
A.Tomake3D-printedhomesfirmer.
B.Toassistinsolvinghousingissues.
C.Toprovidealternativesforhousebuyers.
D.Tohelpthepoorthroughfinancialdifficulty.
(2)WhatcanwelearnabouttheconstructionofTECLA?
A.It'squiteexpensive.
B.Ittakesashortertime.
C.It'sademandingprocess.
D.It'sflexibleinmaterialselection.
(3)WhatisRusso'sattitudetoTECLA?
A.Favorable.
B.Critical.
C.Doubtful.
D.Tolerant.
(4)What'sthetextmainlyabout?
A.Adesignthatcanreplacethepreviouspatterns.
B.Atechnologythattakestheleadinarchitecture.
C.Astructurewheretraditionmeetsnewtechnology.
D.Atrendwheretechnologyiscoupledwitharchitecture.
passage9
InventedintheTangDynastyandwidelyadoptedaftertheSongDynastyinFujian,thewatertight-
bulkhead(水密舱壁)technologypermitstheconstructionofocean-goingshipswithwatertight
compartments(隔层).Ifoneortwocabinsareaccidentallydamagedatsea,waterwillnotfloodtheothercabins
andtheshipswillremainafloat.
Theexperienceandworkingmethodsofwatertight-bulkheadtechnologyaretransmittedorallyfrom
mastertoapprentices.However,theneedforChinesejunks(中国式帆船)hasdecreasedsharplyaswooden
shipshavebeenreplacedbysteel-hulledships,andtodayonlythreemasterscanclaimfullcommandofthis
technology.Associatedbuildingcostshavealsoincreasedowingtoashortageinrawmaterials.Therefore,the
inheritance(继承)ofthisheritageisdecreasing,andinheritorsareforcedtoseekalternativeemployment.
ZhangGuohui,a77-year-oldinheritorofthewatertight-bulkheadtechniquesusedtomakeChinese
junks,hasbeenmakingshipsformorethansixdecades.ComingfromapoorfamilyinafishingtowninEast
China'sFujianProvince,Zhangstartedtomakealivingattheageof16fishingontheopenseas,whichiswhere
hedevelopedakeeninterestinconstructingboats.Asafastlearner,Zhangwaslatersenttoshipyardsinthe
citiesofQuanzhouandXiameninFujian
Province,wherehereceivedtrainingandbecameamasteroftraditionalChinesejunksandgainedfame
becauseofhisextremelyskilledcraftsmanshipintheconstructionofthesejunks.
Infearthatthetraditionalskillswoulddiesomeday,Zhangstartedtorestoreoldshipsandmakemodel
junksforthemuseumwithhis20yearsofshipbuildingskills.HTherestoredancientshipsarethehistorical
witnessesofQuanzhouasamaritimecenteroftheEastandSoutheastAsiatradenetwork,“saidZhang,adding
thathefindstheworkmeaningfulsinceyoungergenerationscanlearnfromexhibitionsofancientshipsthat
theirancestorshadadvancedshipbuildingtechnologyatanearlystageofdevelopment."AslongasI'malive,I'll
keeppassingontheheritage,"hesaid.
(1)Whatfunctionisexpectedofthewatertight-bulkheadtechnology?
A.Topreventshipsfromsinking.
B.Toreducetheweightofships.
C.Toallowshipstosailfaster.
D.Tohelpshipsresiststrongwinds.
(2)Whichofthefollowingisthepurposeofparagraph2?
A.Toprovethesignificanceofsteel-hulledships."
B.Tostressthecomplexprocessofbuildingwoodenships.
C.Topresentpeople'seffortstopassdownculturalheritages.
D.Toshowdifficultiesofinheritingwatertight-bulkheadtechnology.
(3)WhatcanwelearnaboutZhangGuohuifromparagraph3?
A.Hesupportshisfamilybyfishing.
B.Hewasbornwithatalentforshipbuilding.
C.Hehasdevotedhimselftoconstructingboats.
D.Hehaswonmanyawardsforrestoringancientships.
(4)WhatdoesZhangGuohuiconveyinhiswords?
A.Traditionalcultureshouldbeinnovatedwiththetimes.
B.TheancientshiptradeoriginatedfromQuanzhouinChina.
C.Itisnecessaryformodernstudentstolearnshipbuildingskills.
D.Itisworthpassingontraditionalskillsfromgenerationtogeneration.
passage10
TheChinesenewyearbeginson22January,2023andlastsuntil9February2024.WhilemostofAsia
celebratestheyearoftherabbit,Vietnamcelebratestheyearofthecat.IntheChinesezodiac(十二生肖),there
are12animals,andthe4thanimalistherabbit;whileintheVietnamesezodiac,the4thpositionisoccupiedby
thecat.HowthecatcoveredfortherabbitinVietnam'szodiacisstillthesubjectofdebate.
ItwassaidtheJadeEmperororganizedaraceacrossariverforalltheanimalsintheworld.Thefirst12to
reachtheothersidewouldappearinthezodiac.IntheChineseversionofthestory,thecatandtheratwere
ridingacrossariveronanoxwhentheratpushedthecatintothewater.Theratwontherace,turningthetwo
animalsintoenemies.Thatiswhycatshavebeenhuntingratseversince.However,intheVietnamese
version-whichdidnothavearabbit-thecatcouldswimandendeduparriving.
Onepossibleexplanationforreplacingrabbitwithcatmighthavetodowithlanguage.InoldChinese,there
is'awordtiedtothesignoftherabbitthatispronouncedmao(5P).Thepronunciationissimilartomeo,the
Vietnamesewordforcat.
QuyenDi,alectureratUCLA,saidthecustomhastodowiththelandscapeofVietnam."Initially,the
Chineselivedinthesavanna(稀树草原)area,whiletheVietnameselivedinthelowlandarea.Thepeopleofthe
savannapreferanomadiclife,closetothewilderness,andtheychosetherabbitasananimalthatlivedinthe
wildfields.Incontrast,thelowlandpeopleofVietnamconsiderrabbitsasanimalsthatareusedforfoodand
chosethecatbecausetheybelievecatsarefriendslivingintheirhouse.
Thisyear,manyV
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